/Luminizing Sequence_ver.2 : Jade Sujin LEE

Luminizing Sequence 빛이 되어주는 사건들(*ver.2)
installation
2014

*Exhibition& Screening History:
2014 Luminizing Sequence: Into the Maze of Momentum at Gallery Absinthe(Seoul, South Korea)
2015 Luminizing Sequence: Fishing the Sunlight at Okin-dong 19-16(Seoul, South Korea)
2016 Place & Footnote at Seoul Art Space GEUMCHEON(Seoul, South Korea)
2017 Beijing film academy International new media art Triennial Exhibition, Four Dimensional Space Art Museum(Beijing, China)
2018 The Future of this Land at AIAV: Akiyoshidai International Art Village(Yamaguchi, Japan)

*List of Works:
Fishing the Sunlight_acrylic panel, color vinyl, hologram paper, transparent paper, damaged paper collected on the site_ 2014
Lyrics for a Brilliant Dawn_bells, artifical flower, support fixture, mixed media_55 x 110cm_ 2014
Jamming Signals_ mirror acrylic panel, stanless steel pole, mixed media_245 x 60cm_ 2014
The Sign of Soaked and Vanishing moments_ digital C-print_ 130 x 90cm_ 2014
Into the Maze of Momentum_ digital C-print_130 x 90cm_ 2014
Nameless tug-of-war_ single channel video_3min 8sec_2014
Damp and Sticky Shadow_ single channel video_6min 5sec_2014
In a Journey of Fearful and Mysterious_ single channel video_3min 40sec_2014

*Credit:
Directed by_ Jade Sujin LEE
Performer_ Jade Sujin LEE, Pan.e GO
Shooting & Editing_ Art X Media, Jade Sujin LEE

‘Luminizing Sequence’(2014), I constructed a psychologically and perceptually imaginative project to explore the space of abstractly hovering memories, the layers of accumulated time, and the context of everyday spaces, paying attention to elements revealing different aspects of life in urban spaces at the time. I explore the traces of common memories and time in specific spaces that will soon disappear due to rapid urban growth in such places as old apartments and hanok, or traditional Korean homes, where I spent my child- hood. This project is a temporary work set up in a specific space where tactile objects are used to provoke sensuously inconvenient, awkward feelings.

I visited the obsolete Korean Traditional house at Okin-dong and was overwhelmed by the tranquil mood od the house that seemed so contradicting with its surrounding environment that was being commercialized rapidly. The empty house with no settlers was occupied by fast growing weeds. while the remnants were corroding slowly, being deserted in the flow of time. I attempted to narrate the story of an empty house by installing temporary objects conforming to the atmosphere of the space. Two antennas consisting of bells and mirrors reflect the invisible beings living in the wild garden of the house, relaying the energy of the objects. A loom deserted inside the house was embodied by the skein of threads suspended onto the mail pillar, testifying to the history and memory of the fomer remer residing family.

The Statement of 'Fishing the Sunlight'(2014)
A Commodation made of the hologram paper and acrylic scraps was placed at niche spaces between roof tiles, holes on the wall, skylights and window-sides. This work becomes ‘the events transformed into light - 'Luminizing Sequence’. Such impressive poetic whispers was in full bloom owing to the camera that captured the ordinary beauty.

Luminizing Sequence, single channel video(3min 8sec, 6min 5sec, 3min 40sec), 2014

>> Below are works images from Luminizing Sequence <<

<em>Luminizing Sequence: Into the Maze of Momentum</em>

Luminizing Sequence: Into the Maze of Momentum installation view, Gallery Absinth, Seoul, 2014 Luminizing Sequence: Into the Maze of Momentum

Luminizing Sequence: Into the Maze of Momentum installation view, Gallery Absinth, Seoul, 2014 Luminizing Sequence: Fishing the Sunlight

Luminizing Sequence: Fishing the Sunlight installation view, Okin-dong 19-16, Seoul, 2014 Luminizing Sequence: Fishing the Sunlight

Luminizing Sequence: Fishing the Sunlight installation view, Okin-dong 19-16, Seoul, 2014