Jade Sujin LEE

• Info
• /Contact
• /C.V

• Works
• /Howling Express over Hypersea
• /Change or Trans-hiking
• /Warming Humming
• /Ourler
• /Spinning, Spinning, Twinkle Star
• /How to make a song with Opposite Value?
• /When My Winds comes in here
• /The Residual Remains
• /An Echo at the Edge
• /Glass Landscape_ver.3
• /The Guide for a Crash-landing into...
• /An Island became an Hill, the...
• /Luminizing Sequence_ver.3
• /Glass Landscape_ver.2
• /Flying across the Moonlight
• /Luminizing Sequence_ver.2
• /Luminizing Sequence_ver.1
• /Flexible Wall
• /Glass Landscape_ver.1

• Public Projects
• /How to make a Song with Opposite..
• /Lay of Rise
• /The Night on the Galactic Railroad
• /The Kites on the Night
• /Twilight Loop
• /Shadowing of brightness

• Texts
• /Publications
• /Critical Writing
• /Essays and Articles

© 2023. Jade Sujin LEE

• Built with Indexhibit

Glass Landscape(*ver.3)
installation
2017/2019

*Exhibition History:
2017 The Ilex Rotunda Village at Project Gallery in Gyeonggi Museum of Modern Art(Ansan, South Korea)
2019 The Accumulated Ghosts at Cheongju Museum of Modern Art: Dacheongho (Cheongju, South Korea)
2019 The Private Movement at Gallery SANDWICH apt(Seoul, South Korea)

*The List of Works:
Glass Landscape_discarded glass fragment, iron, stone, mix media_2017
Glass Landscape_discarded glass fragment, floating glass balls, variable table, mix media_2019

This work 'Glass Landscape(2017-2019), made by overlapping sharp and threatening waste glass, is a psychological landscape work designed to show the other side of modern society that is always gorgeous but threatening momentarily.

>> Below are installation images from Glass Landscape <<